The Dark Passenger

Filed under: omaggi citazioni gif Stanley Kubrick The Shining Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb a clockwork orange 2001: A Space Odyssey homer homer simpson simpson the simpsons Santa Claus little helper Full Metal Jacket 

mabellonghetti:

Stanley Kubrick & The Simpsons

Dr. Strangelove

The Shining

A Clockwork Orange

2001: A Space Odyssey

Full Metal Jacket

(via onepercentaboutanything)

Filed under: set Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb peter sellers Stanley Kubrick 
fuckyeahdirectors:

Stanley Kubrick and Peter Sellers on set of Dr. Strangelove (1964)

fuckyeahdirectors:

Stanley Kubrick and Peter Sellers on set of Dr. Strangelove (1964)

Filed under: Stanley Kubrick poster pictogram Lolita The Shining Full Metal Jacket a clockwork orange 2001: A Space Odyssey Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 
minimalmovieposters:

Kubrick Pictogram Posters by Viktor Hertz

minimalmovieposters:

Kubrick Pictogram Posters by Viktor Hertz

(via cinemanu)

Filed under: peter sellers Stanley Kubrick Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb set 
oldhollywood:

Peter Sellers and Stanley Kubrick on the set of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964, dir. Stanley Kubrick) (via The Stanley Kubrick Archives)
 
“I love Peter. I think he’s a great actor, but I am never any good on this sort of thing. I’m terribly inhibited about discussing an artist like Peter, but I’ll cautiously torture out a statement - I’m peculiar about this, but it’s a very personal relationship you have with an actor.

He’s the hardest worker I know. I’d come into the [Dr. Strangelove] studio at seven o’clock in the morning and there would be Peter Sellers. Waiting, ready. Full of ideas. When you are inspired and professionally accomplished as Peter, the only limit to the importance of your work is your willingness to take chances. I believe Peter will take the most incredible chances with a characterization, and he is receptive to comic ideas most of his contemporaries would think unfunny and meaningless. This has, in my view, made his best work absolutely unique and important.”
-Kubrick on Sellers, in a statement he wrote for Sellers biographer Peter Evans (Peter Sellers: The Mask Behind the Mask)

oldhollywood:

Peter Sellers and Stanley Kubrick on the set of Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964, dir. Stanley Kubrick) (via The Stanley Kubrick Archives)

“I love Peter. I think he’s a great actor, but I am never any good on this sort of thing. I’m terribly inhibited about discussing an artist like Peter, but I’ll cautiously torture out a statement - I’m peculiar about this, but it’s a very personal relationship you have with an actor.

He’s the hardest worker I know. I’d come into the [Dr. Strangelove] studio at seven o’clock in the morning and there would be Peter Sellers. Waiting, ready. Full of ideas. When you are inspired and professionally accomplished as Peter, the only limit to the importance of your work is your willingness to take chances. I believe Peter will take the most incredible chances with a characterization, and he is receptive to comic ideas most of his contemporaries would think unfunny and meaningless. This has, in my view, made his best work absolutely unique and important.”

-Kubrick on Sellers, in a statement he wrote for Sellers biographer Peter Evans (Peter Sellers: The Mask Behind the Mask)