The Dark Passenger
Filed under: director directors actors muse joe wright keira knightley Martin Scorsese Robert De Niro david fincher brad pitt Billy Wilder jack lemmon Quentin Tarantino uma thurman akira kurosawa toshiro mifune Tim Burton Johnny Depp alfred hitchcock grace kelly François Truffaut jean-pierre leaud leonardo di caprio frank capra james stewart sydney pollack sidney pollack robert redford
e l e v e n d i r e c t o r s a n d t h e i r m u s e s
i know, i could have chosen different ‘couples’ and i don’t even know if the word ‘muse’ is appropriate… yeah, it’s very subjective :)Joe Wright and Keira Knightley (3 movies) | Martin Scorsese and Robert De Niro (9 movies) | David Fincher and Brad Pitt (3 movies) | Billy Wilder and Jack Lemmon (7 movies) | Quentin Tarantino and Uma Thruman (3 movies) | Akira Kurosawa and Toshiro Mifune (16 movies) | Tim Burton and Johnny Depp (8 movies) | Alfred Hitchcock and Grace Kelly (3 movies) | Francois Truffaut and Jean Pierre Leaud (7 movies) | Frank Capra and James Stewart (3 movies) | Martin Scorsese and Leonardo Dicaprio (4 movies) | Sydney Pollack and Robert Redford (7 movies)
Mancano Marcello e Federico…
(via cinemanu)
Filed under: david lynch intervista quotes interview influenze cinema alfred hitchcock vertigo 2001: A Space Odyssey Stanley Kubrick mulholland dr. eraserhead blue velvet sunset blvd. Billy Wilder fire walks with me 8½ 8 1/2 Federico Fellini
“I always say Fellini inspired me. I love being in Fellini’s worlds. And Billy Wilder and Stanley Kubrick and Alfred Hitchcock. To revisit those certain films and go in that world is just—It’s a world that didn’t exist and now it exists. There are some people that are—I always say that they don’t like so much abstraction. They don’t like to feel lost. They like to know always, always, always what’s going on. And when they don’t feel that, they feel a little crazy. And they don’t like that. Other people—and I’m one of them—I love to go into a world, be taken into a world and get lost in there and feel-think my way and have these experiences that I know… I know that feeling, but I don’t know how to put it into words. I know that feeling and it’s magical that this cinema brought it out. This is what I love.” — David Lynch
(Fonte: strangewood, via oldfilmsflicker)
Filed under: hitchcock alfred hitchcock gif anthony hopkins biopic psycho Scarlett Johansson janet leigh shower shower scene sacha gervasi
How are you going to shoot this shower scene?
(Fonte: davidfincher, via lostinscarlett)
Storyboards for Psycho by Saul Bass | 1960
(via bohemea)
Filed under: Alma Reville Sacha Gervasi Scarlett Johansson alfred hitchcock helen mirren hitchcock psycho trailer Michael Stuhlbarg
Hitchcock trailer.
E nel cast c’è pure Arnold Rothstein…
![lostinscarlett:
Scarlett as Janet Leigh in ‘Psycho’.
Check out more pics of Anthony Hopkins as Alfred Hitchcock, Helen Mirren as his wife and Jessica Biel as Vera Miles [ Here ]](http://24.media.tumblr.com/tumblr_mblh4iuquD1qzgak3o1_500.jpg)
Scarlett as Janet Leigh in ‘Psycho’.
Check out more pics of Anthony Hopkins as Alfred Hitchcock, Helen Mirren as his wife and Jessica Biel as Vera Miles [ Here ]
Filed under: suit omaggi citazioni alfred hitchcock vertigo adam sandler james stewart Punch-Drunk Love paul thomas anderson
Vertigo, 1958 (dir. Alfred Hitchcock)
Punch-Drunk Love, 2002 (dir. Paul Thomas Anderson)
(via oldfilmsflicker)
Filed under: classifiche sight & sound critica cinema citizen kane alfred hitchcock vertigo orson welles cineblog
Citizen Kane cede a Vertigo lo scettro di miglior film di sempre, dopo sessant’anni di assoluta supremazia.
nella Top 50 dei migliori film di sempre indetto da Sight & Sound
Top 50 della critica
1. La donna che visse due volte (Hitchcock, 1958)
2. Quarto Potere (Welles, 1941)
3. Viaggio a Tokyo (Ozu, 1953)
4. La regola del gioco (Renoir, 1939)
5. Aurora (Murnau, 1927)
6. 2001: Odissea nello spazio (Kubrick, 1968)
7. Sentieri Selvaggi (Ford, 1956)
8. L’uomo con la macchina da presa (Vertov, 1929)
9. La passione di Giovanna d’Arco (Dreyer, 1927)
10. 8 ½ (Fellini, 1963)
11. La corazzata Potëmkin (Ejzenstejn, 1925)
12. L’Atalante (Vigo, 1934)
13. Fino all’ultimo respiro (Godard, 1960)
14. Apocalypse Now (Coppola, 1979)
15. Tarda primavera (Ozu, 1949)
16. Au hasard Balthazar (Bresson, 1966)
17. I sette samurai (Kurosawa, 1954)
17. Persona (Bergman, 1966)
19. Lo specchio (Tarkovsky, 1974)
19. Cantando sotto la pioggia (Donen & Kelly, 1951)
21. L’avventura (Antonioni, 1960)
21. Il Disprezzo (Godard, 1963)
21. Il Padrino (Coppola, 1972)
24. Ordet (Dreyer, 1955)
24. In the Mood for Love (Wong, 2000)
26. Rashomon (Kurosawa, 1950)
26. Andrei Rublev (Tarkovsky, 1966)
28. Mulholland Drive (Lynch, 2001)
29. Stalker (Tarkovsky, 1979)
29. Shoah (Lanzmann, 1985)
31. Il Padrino - Parte II (Coppola, 1974)
31. Taxi Driver (Scorsese, 1976)
33. Ladri di biciclette (De Sica, 1948)
34. Il generale - Come vinsi la guerra (Keaton & Bruckman, 1926)
35. Metropolis (Lang, 1927)
35. Psycho (Hitchcock, 1960)
35. Jeanne Dielman, 23 quai du Commerce 1080 Bruxelles (Akerman, 1975)
35. Sátántangó (Tarr, 1994)
39. I 400 colpi (Truffaut, 1959)
39. La dolce vita (Fellini, 1960)
41. Viaggio in Italia (Rossellini, 1954)
42. Il lamento sul sentiero (Satyajit Ray, 1955)
42. A qualcuno piace caldo (Wilder, 1959)
42. Gertrud (Dreyer, 1964)
42. Il bandito delle 11 (Godard, 1965)
42. Play Time (Tati, 1967)
42. Close-Up (Kiarostami, 1990)
48. La battaglia di Algeri (Pontecorvo, 1966)
48. Histoire(s) du cinéma (Godard, 1998)
50. Luci della città (Chaplin, 1931)
50. I racconti della luna pallida d’agosto (Mizoguchi, 1953)
50. La Jetée (Marker, 1962)
Top 10 dei registi
1. Viaggio a Tokyo (Ozu, 1953)
2. 2001: Odissea nello spazio (Kubrick, 1968)
2. Quarto Potere (Welles, 1941)
4. 8 ½ (Fellini, 1963)
5. Taxi Driver (Scorsese, 1980)
6. Apocalypse Now (Coppola, 1979)
7. Il Padrino (Coppola, 1972)
7. La donna che visse due volte (Hitchcock, 1958)
9. Lo specchio (Tarkovsky, 1974)
10. Ladri di biciclette (De Sica, 1948)
Filed under: alfred hitchcock anthony hopkins Hitchcock Sacha Gervasi Psycho Alfred Hitchcock and the Making of Psycho
new picture of Anthony Hopkins as Hitchcock
Roger O. Thornhill: Master of concealment.
(via oldfilmsflicker)
Filed under: Robert De Niro Martin Scorsese david fincher brad pitt Billy Wilder jack lemmon Quentin Tarantino uma thurman Tim Burton Johnny Depp alfred hitchcock grace kelly François Truffaut Jean Pierre Leaud james stewart frank capra leonardo di caprio sidney pollack robert redford Akira Kurosawa Toshiro Mifune
t e nn i n e d i r e c t o r s a n d t h e i r m u s e s
i know, i could have chosen different ‘couples’ and i don’t even know if the word ‘muse’ is appropraite… yeah, it’s very subjective :)Joe Wright and Keira Knightley (3 movies) | Martin Scorsese and Robert De Niro (9 movies) | David Fincher and Brad Pitt (3 movies) | Billy Wilder and Jack Lemmon (7 movies) | Quentin Tarantino and Uma Thruman (3 movies) | Akira Kurosawa and Toshiro Mifune (16 movies) | Tim Burton and Johnny Depp (8 movies) | Alfred Hitchcock and Grace Kelly (3 movies) | Francois Truffaut and Jean Pierre Leaud (7 movies) | Frank Capra and James Stewart (3 movies) | Martin Scorsese and Leonardo Dicaprio (4 movies) | Sydney Pollack and Robert Redford (7 movies)
(via batchiara)
(Fonte: jacknicholson, via oldfilmsflicker)
Filed under: gif interview interviste Martin Scorsese raging bull Robert De Niro janet leigh omaggi alfred hitchcock citazioni psycho
Martin Scorsese : In Raging Bull, I guess the boxing scenes have a lot to do with the action sequences in my mind. All this editing and all this camera movement that I’d been exposed to for the past 25 years or 30 years came into play in those sequences, and Hitchcock had a lot to do with it, there’s no doubt, particularly in designing the scene where Sugar Ray Robinson, in the third bout that they have, when La Motta’s on the ropes, looks up at him, and Sugar Ray comes in for the kill. And there’s a kind of edited sequence of punishment that this character’s taking. I based it on, shot by shot, the shower scene of Psycho. And so I designed it correspondingly, in a way. The glove corresponds to a knife. And so, we shot it that way.
(Fonte: lawyerupasshole, via oldfilmsflicker)
